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Updated: Jul 25, 2024

The unease that trails the celebration in black





Our personal identities - at times fragile, other times stubborn abstractions--are given, taken, passed on, adopted, snatched, or even shunned. They come to shape our view of ourselves and our place in the world. Often our sense of identity ebbs and flows in rather invisible ways. But sometimes parts of how we understand who we are manifest in ways surprising even to ourselves. Sometimes parts of our identities we believe to be silent come screaming forth without warning.


With the passing of Queen Elizabeth II, I did not expect to feel much. On the rather rainy Thursday she died, news of her death felt more and more imminent as the day progressed. The BBC’s star cast changed into black. Not that I was hooked to the BBC; it was the input of several who had adorned investigative hats and were quipping about these intricacies on my Twitter feed.


Throughout the day, I kept a close eye on the news, mostly because it had bearings on my work and schedule the next day. But as to the event itself, I was not expecting myself to react. And for the most part, I didn’t. When news of the Queen’s death was announced, the only thing that bothered me was that news programming was massively altered. It quickly became clear that the subject of queen’s outfits over the years and queen’s love of horses would take precedence over deadly floods in Pakistan, or even the UK’s own cost of living crisis. Not for a day, or even a few days, but for weeks to come. The spectacle-ity of the media now had a justification for its compromised news coverage and values.


It quickly became clear that the subject of queen’s outfits over the years and queen’s love of horses would take precedence over deadly floods in Pakistan, or even the UK’s own cost of living crisis.

Pretty soon, commentary about the Queen’s life and legacy was splattered everywhere: TV, radio, newspapers, social media and messaging apps; in text, voice and video. It was an evening of collective grief as the nation celebrated a woman who symbolised the stability and greatness of Britain - or so the commentators claimed. Terms like continuity and unity were ubiquitous. Many mourned the recent political fragility in Britain (referring to the shambolic politics of the Tories), and believed the Queen’s passing signalled a change in era, now that Britain had lost its last symbol of stability.


Many wrote they were critical of Britain’s imperial past and monarchy as an institution, but they still mourned the Queen for the person she was. There were some for whom she was of personal symbolic significance. The Queen was a grandmotherly figure; they mourned her, remembering their own lost relatives. There were also children so tiny they would not have known her, creating beautiful drawings and cards in dedication to her. A friend told me she saw one such card where a kid had scribbled, ‘thanks for ruleing us’ (yes with an ‘e’!). And another who had adorably crayoned a Peppa Pig version of the Queen. Despite the greyness in the air, weirdly it also seemed like a day of shared warmth and love.


And yet, many like me [who saw no reason to bask in British pride, either because we aren’t British or had complicated pasts with the British Crown or just weren’t very nationalistic], felt unwelcome to these celebrations. They came as beautifully wrapped boxes, when in fact they should have been carelessly bundled, torn and rough around the edges. The legacy of the Queen and the monarchy hasn’t been shiny and seamless. The forced sweetness of the response to her death was slowly making me bitter. But at this point it was still very much contained in my own mind, barely spoken out loud. I could respect people wanting to grieve and mourn someone significant to them. But I personally could not participate. And I felt I should be allowed that.


It was only the next day, when a close friend of mine (who happens to be British), made a rather crude remark about Britain’s colonial past that the cascade truly began. And it gave me much to think about. What is Britain’s legacy really? Where am I placed in it? As an Indian now living in Britain, how do I deal with my complicated feelings about all this? What is it to be an Indian today? Was I fighting one form of nationalism (colonialism) by giving into another (a certain clinging to Indian-ness)? Do people here really understand me and where I come from? Is there a place for me in a country that washes over the history of my ancestors and that of others so carelessly? How should I feel about dear friends who do not understand this side of me, or feel it excessive that I choose to criticise the Queen for the larger colonial past? Is this a fight I should actually fight? Or does the fact my criticism would be shut down as leftist liberal woke-ism (whatever that is) mean I should remain quiet?


Is there a place for me in a country that washes over the history of my ancestors and that of others so carelessly? How should I feel about dear friends who do not understand this side of me, or feel it excessive that I choose to criticise the Queen for the larger colonial past?

I’m still trying to answer many of these questions, and I will continue to try to find coherent responses. But to the last question, I already have an answer, which is why this piece was written. Not only did I decide it’s not fair to remain quiet, but the news coverage (or lack thereof) of what I call colonial criticism has in fact forced me to write this.


While India had already gotten Independence and was an infant democracy when the Queen was crowned in 1952, at the time Britain still held control over several colonies which continued to fight against oppression during the Queen’s reign. And while Queen Elizabeth II’s reign may not have overlapped with the peak of colonisation, it nonetheless was not removed from it. But the Queen’s personal popularity and the larger diplomatic framing that came to be given around ‘relations’ with Commonwealth countries has not allowed this reckoning to take place. When I speak of reckoning, I am less concerned with the official word. I do not speak here of apologies from British leaders for past sins (which never came), rather of the acknowledgement and understanding of this cruel history by the British public.


The day after the Queen’s death, my British friend was furious. He was mad at some of the social media commentary against the Queen, posts that were calling her names and saying she should “rot in hell”. It was certainly not a nice thing to say--about anyone. But did my friend not understand why there was a fringe group that might have an issue with the Queen and the pomp around her death? He knew of the larger arguments to do with colonialism, but what did it have to do with the Queen herself? Was she personally responsible? And wasn’t this all so far back in the past? And what about inequality? Was being born into wealth her mistake? It was these arguments that set me off. As I responded to him, I found myself quite distressed and eventually in tears.


Was the Queen personally responsible? Well, does she have to be? The Queen still benefited from the plunders of the Empire, and made sure the monarchy was preserved and that it continued. While traditionalists might see this to be her duty, I see tradition in itself to be no great defence for any practice, let alone one of a luxurious and exorbitant lifestyle lived at the expense of great societal inequality and poverty. Historically, we have abandoned practices as time progressed and our values as a society came to evolve. Now, more than ever, there needs to be space to criticise the existence of the monarchy in Britain, and to be able to discuss its impact on larger society. And we need to note the Queen enjoyed great privileges, exempt from “more than 160 laws” that otherwise apply to any other British citizen.


But this aside, it should also be noted that atrocities were committed by the Empire under this Queen’s reign too. Take the case of Kenya. In reaction to the Mau Mau rebellion, a movement against colonialism, the British put much of the local population (including a large proportion of the civilian population that was not even involved in the actual fighting) in detention centres:


“About 20,000 Mau Mau guerrillas or fighters fought the British military in the forest, and it’s kind of a jungle war. But a disproportionate amount of the time was spent detaining the entire Kikuyu population who had taken this oath, about 1.5 million people, in detention without trial… And it’s in these systems of detention where draconian, systematized violence and brutality and torture were instrumented in horrific ways. There was also forced labor and starvation policies. And these were done in order to force this rebellious population to submit to British colonial rule…”


Now let’s zoom out a bit and look at the Empire more widely. If we only just talk about India, in the period between 1765 to 1938, the British Empire drained the region of an estimated $45 trillion. Because of the way the system of trade and taxation was designed by the British, trade did not benefit locals. It made London richer, with no rise in per capita income in India during the two-century rule. This is just a small glimpse of the economic costs and the cost in terms of lives lost, whether from sheer oppressive brutality (like what happened during the Jallianwala Bagh Massacre when a British general opened fire on peaceful protestors without any warning), or deaths due to famines that resulted from policy failures of the British Raj (the Bengal famine killed an estimated 3 million people). The picture is tragic, to say the least. And yet, what we find mentioned is the “good things” that came out of colonisation.


In a tone-deaf and completely outrageous segment, Tucker Carlson, the TV presenter on America’s Fox News, claims Britain gave its colonies “civilisation”. It’s as if centuries never went by. As with generations before me, I still have to hear the same racist commentary about the brutish and uncivilised people of the Orient who had the great privilege of receiving tutoring by the British on ‘how to act civilised’. No one told me oppression, plunder and slavery were such ideals. But oh well, if that is what it takes to be a great civilisation, so be it I suppose.


What’s even more ridiculous about such commentary trying to shut down today’s scant colonial criticism is the attempts to paint British oppression as a gift. It’s portrayed as something that those oppressed, who lost freedoms, lives and were stripped of dignity for centuries, need to be grateful for. Carlson goes on to say that India as a country “is now far more powerful than the country that ruled it”. I’m not sure how Britain can take credit for that. In the 75 years since independence, India has grown in spite of colonialism, not because of it. And while the colonisers may have left behind English (a language I do think of as my own), it should come as no surprise that the region is far more rich in terms of language than many places in the world. Today 121 languages (and if we broaden it to include dialects spoken by smaller sections of the population, then 19,500 languages) are spoken in the region.


In the 75 years since independence, India has grown in spite of colonialism, not because of it.

This is not to say that English is unimportant to our history, but that the richness of culture, language and “civilisation” predates the entry of the English. And as much as I am a personal fan of the British-built architecture in Bombay that Carlson praises, architecture from the Mughal period (like the Taj Mahal), or the spectacular temples built during the Vijayanagar empire are equally beautiful. And ironically, the architecture that Carlson makes reference to, while built by the British, was in fact Italian Gothic. So if anything, we should be paying our respects to the Italians.


The reason I choose to elaborate on this one segment by Carlson is because much of the commentary against colonial criticism follows the same line of argument. I hope it will encourage those who use these half-baked ideas as legitimate reasons for colonialism to give matters a second thought. Do railways (which were built by the British for their own use, and not out of benevolence for the local population) and pretty buildings really justify horrific crimes committed across centuries?


When I seek to speak to people in Britain today, I am not looking for apologies or any feelings of guilt. Most of us have ancestors who have done bad things. For me, these evil deeds rest on caste and religious ideologies. For others, it can be race or slavery. But I believe we all need to make an attempt to understand and not whitewash the repressive histories of generations before. If anything, histories and the legacies they bequeath us linger. And colonialism is not a thing of the past.


Much as I am not a nationalist, or a patriot, I still found my identity as an Indian to take such effect lately. So much so that when my friend tried to dismiss the colonial past (that is how I saw it, even if he did not intend any harm), I was in tears. Identities do work in mysterious ways. But I do not and should not blame my friend. These reflect larger failures of institutions, including educational systems. Why should he know all of this history in any detail when no one around him cared to mention it?


My love for India and my attachments to it are purely cultural. I take immense pleasure in introducing people to the food, languages and cultural practices. I like to talk about the history of people in the region. I love to give people a taste of Indian films. But again, I shy away from all forms of nationalism, including Indian nationalism. India today (as a political unit, a nation state) developed after the Indian nationalist movement against the British. Since Independence, India has had to deal with other complicated issues. The us versus them fights never stop. Only the camps keep changing. I acknowledge that colonialism has always been only one strand of the story of the region. But it is still a significant one. And it is one that Britain needs to mindfully deal with, not glossed over.


As we conclude this 17-day pomp and splendour, for those who valued the Queen, celebrate her. But let us also make space for those who wish to sit out and mourn a different history. And let us also make space for criticism. Against the Queen, the monarchy, the colonial past and present-day inequalities in Britain. And when we talk of preservation of tradition, let us also ask, what is it that we are really rallying to preserve?


The day after our argument, my friend called me. He wanted to explain his position, and what he saw as his ignorance. I gave him my hand, and apologised for my lack of patience too. And we spoke freely, openly and with our hearts. Some hope after all, if only the whole of Britain could do it: have conversations.



A Dispatch from the Indian Affairs Series

Manasa Narayanan is a journalist and writer, trying to navigate the mighty and confusing world of journalism (or what is left of it). At present, she mainly works with The Citizens (a news non-profit). She mainly deals with topics related to politics, protests, media and technology. In addition, Manasa is Editorial Assistant for Emerging Voices. To access her writings, click here. And to catch her needless newsy tweets, click here.


In India, things always roll with a kind of hugeness. A large chunk of land encompasses diversity difficult to describe to outsiders but matter-of-fact to those residing within it, people with large hearts (many T&Cs applied), whose challenges, big and small, often arise out of the country’s vastness. It’s all so big, burdensome to carry. Whenever someone unfamiliar with India’s nationalistic politics asks me about them, my head fires in many directions. It’s an achievement when I respond with any semblance of coherence.


This series, ‘Indian’ Affairs, published monthly, is an unpacking of thoughts on problems with contemporary Indian nationalism — what it means to ‘Indians’, residing within or outside the ‘motherland’, or just to those who care about the region and its peoples.


This is an edited excerpt from one of the dispatches in the series. See the upcoming pieces here.




In a few days, I am travelling to India to see my family. I was last there in the summer of 2020 — the year Coronavirus took the world by storm. As I prepare to visit, my concerns stretch beyond packing clothes, gifts and other paraphernalia. I’m also preparing mentally. I fear the India I left and the India to which I return are different places. Politically, things were terrible then and I worry they have become worse. India has lost hundreds of thousands of lives to a pandemic whose effects were catastrophic, owing to the stunning ignorance and indifference of the Indian government. The India to which I return is more blatantly discriminatory and violent towards Muslims, flouting the demise of secular temperaments. I go back to an India deprived of the oxygen needed to survive as a democracy.


None of this popped out of nowhere. Warning signs have been obvious to any observer. One did not even have to go far to see them. One only needed to look at family WhatsApp groups.


If you access an Indian person’s WhatsApp chats, chances are you’ll find it’s a family group. [Unless, like me, they have quit the group, having had enough of a confusing mix of harmless good morning pictures and hate-spewing forwards--often in quick succession.] These are not groups consisting only of one’s immediate family. Often there are hundreds of members in a group, composed of uncles, aunts and cousins one has at best seen a few times in life.


What is to marvel at is not the size of our families or of the groups, but the very fertile ground they provide for the circulation of fake news. Unlike say Twitter, which is a public platform on which messages can be challenged and sometimes removed, WhatsApp is an encrypted personal messaging app. Detection and tackling of false information is almost impossible. WhatsApp has been heavily weaponized by those linked to India’s ruling party, the BJP — and it was deployed extensively during elections.




RapidLeaks


WhatsApp’s ability to reach untold numbers of people quickly, with minimal costs, and the lack of any oversight governing communications has meant that family WhatsApp groups have become a notable phenomenon in themselves — a not very micro microcosm of ideological rinse and repeat. It’s a site where scores of people can be reached by simply forwarding stock messages. More alarming, by facilitating the creation of an intimate family space, all kinds of ideas and ideologies are easily reinforced. Most people want to fit in and to avoid confrontation with their family.

To take a key example of today’s fevered Indian identity politics: a majority of Hindus tacitly agree with what’s posted about the negative and dangerous presence of Muslims in India (given how strongly identified many are with their Hindu religious identity). But even those who do not view Muslims as a dangerous Other do not challenge the disparaging and dangerous propaganda posted on their WhatsApp feed. They seek to avoid discord with their family group. I was an anomaly, especially as I challenged senior family members.


What I refer to as ‘population propaganda’ has been making the rounds on these Whatsapp groups since I was a teenager. I am now nearing my mid-twenties. This is almost a decade of the same pieces of fake news repeatedly surfacing without serious scrutiny. With time, this propaganda gains more and more legitimacy-- as if it were undeniable fact.


What is this ‘population propaganda’? Put simply, it is that the population of Muslims will exceed that of Hindus in the country, turning now Hindu-majority India into some kind of Islamic nation dominated by a majority of Muslims. It is a grand tale of a majority under threat as if it were the minority.


The way these messages are framed tells a story of a rise in Muslim population over the past decades that is outpacing the rise in Hindu population in the same time frame. And the messaging concludes that by some arbitrary year (usually 2050), the Muslim population will overtake that of Hindus.


In 2015, a Pew Research report declared: “By 2050, India will have the world’s largest populations of Hindus and Muslims”. The report said that India already has the largest Hindu population in the world and that by 2050, it will also have the largest Muslim population. These numbers were cited in comparing India to other countries. But absolute numbers came to be taken out of context to paint a false narrative and to misrepresent realities.







The study said that while the Hindu population will grow more slowly, Hindus will still make up 76.7% of the population in 2050. The growth in Muslim population in no way will surpass the growth in Hindu population so that Muslims will exceed Hindus in 2050. But the right wing narrative insists that Hindus are in danger of being outnumbered by an odious outsider group.









This population propaganda is effective because while the facts don’t add up, it taps into the Hindus under danger sentiment, propagated by the right-wing. Tales of widespread forceful conversions of Hindus — of Muslim boys luring Hindu women into marriage and conversion (what’s termed ‘love jihad’) — or of Christian missionaries manipulating and undertaking conversions, are ripe in India’s media landscape. These are reported as facts without any scrutiny. As there is no larger challenge to these narratives in the mainstream media, and as historical tensions between Hindus and Muslims show no sign of slackening, a large chunk of the Hindu population believes this distorted narrative. And given the punitive ethos the Indian government has created for any dissenters and critics, anyone raising alarm over these stories is automatically termed ‘anti-national’. There is no space to have a logical debate. People believe what they are fed.


As social psychology research points out, for people who have strong social identification with a particular variable (like religion, caste, etc), a perceived threat to their cherished social identity can strengthen an in-group bias. And all of these tales, of a Muslim population boom, of forced conversions, target that vulnerability — telling the Hindus (who love being Hindus) there will be no Hindus left if they do not act against the out-group--the Muslims.


As I see it, there are two major issues with the population propaganda I describe. One is that it paints a false picture of Muslims overtaking Hindus to become a majority. Another is that it propagates the belief that a rise in Muslim population is in itself some kind of a bad thing. It vilifies Muslims and strengthens the stereotypes of religious fanaticism and evil-ness with which they are associated. We can only begin to fight this nationalism by acknowledging India’s realities as they are - by telling the story of India as it is and including Muslims as a legitimate part of our national narrative.




Updated: Aug 2, 2024




All good myths and fairy tales begin with a journey. The heroine takes their first step into the unknown, a new vision of the world is revealed on the path before them. They stop and see the world anew before taking the next step.


…..


THE CONTEXT


I first read about zoonotic pandemics as a threat to planetary health whilst researching my PhD nearly ten years ago. Covid-19 is not happening on top of climate and environmental change. The virus is an integral part, a symptom, of the environmental crisis. Viruses that should not be transferred between species would not be -- if we understood how to live with our planet and its life systems in a reciprocal way.


We have much to learn from the wisdom of indigenous First Nation peoples and nature-based rituals, along with what we know from climate scientists. Opening to ancient knowledge along with contemporary insights, we will better know how to forestall deadly climate and environmental mutations. Pandemics, along with pests, fire, floods, drought, massive storms and mass migration have long been foretold, going back to Judeo-Christian narratives and other ancient myths. Contemporary global research updates the realities of climate change, augmenting age-old tales with scientific data.


In this first quarter of the twenty-first century, a global viral pandemic has been unleashed. Surely we must rely on science, technology and political will to get us out of this mess? Surely the wealthy West can prevail, given our technology? Of course we’ll return to normal – if not the old normal, we’ll paper over the cracks to bring back our sense of certainty in comprehending past, present and future. We’ll return to expectations of progress, jobs, justice, homes, holidays, health, social events, coffee shops and pubs, friendships.


I think not.




I began construction of the Future Machine in 2019. It continues to evolve, and to make its journey amongst communities across England. The Future Machine is a witness to change, and a way to voice our hopes and fears for the future. I wrote about it in December 2020.


When the lever on the back of the Future Machine is pushed to Present mode, sounds emanate from its large copper trumpet. The sounds are based on data captured by weather sensors attached to a wooden pole affixed to the back of the machine. The performance brings these scientific sensors -- a technology driven process I designed with engineers and programmers -- together with the human feelings of the weather, the climate, the moment, the place.


The Machine compares the data to the monthly averages for its particular location and then an algorithm decides if it is cold, mild, warm, hot, breezy, windy etc. The algorithm also ‘decides’ if the climate is expected, unexpected or extreme. A collection of weather-descriptive words was given to the composers and musicians Alex Dayo and Dave Kemp. They created a process on improvisation with the words, the weather and their vast variety of instruments, along with Miles Ncube's bird songs and the singing and mutterings of Alex and Indira Lemouchi.







In a live performance, the Machine plays the algorithm and the musicians play their feelings. Their creativity demonstrates an emotional, reflective and experiential ability to translate the being-ness of a place and time. Their music incorporates the wind, rain, air and smells along with sensations of moisture and dryness, warmth and coldness, the air prickling their skin.


The Future Machine prints future quests for people to take away. An algorithm decides what will appear on these quests. It’s based on four dials representing myths we humans hold about the future, our moods, our planet and the seasons. The choices people make on the dials compose personalized future quests. I want this to be a poetic undertaking, the quest as something people will treasure and which will inspire renewed imaging of the future. I want people to inhabit different moods and stories. I insist the future can be a journey of our own making.





MY INTERIOR JOURNEY


Working on the Future Machine, especially after the first lockdown, I’ve thought more and more about poetry, about the experience of being in a place that attunes you to feelings you cannot place. It’s a space where emotions arise, the sense of an unspeakable moment, being-ness, awesomeness, sacredness, uncanniness.


It’s hard to connect to feelings as you write rules for algorithms, testing and blowing up computers and printers in the process of creating. It’s hard for any of us to connect to deeper realities as we go about our everyday lives. Feeding, clothing and housing ourselves; getting absorbed by our phones, social media and streamed video dramas; zoom calls and objects of desire; letting consumption and other banalities be the stuff of our lives.


I’ve been working with a senior climate scientist, Prof. John King from the British Antarctic Survey, to create Future Machine quests. We’ve been having ongoing discussions about poetry, art, science and data. We talk about what happens when what science shows us about the world reaches its limit, and it’s time to look to experts in human behaviour and emotion to understand how we might react. Increasingly, research shows that the stories we tell and how we then respond to our imagined tales is a very different process from gathering evidence and using cognitive processes to understand the data we gather.


Suddenly, in the midst of creating Future Machine quests, I realized I had to stop. This was not poetry. The technology, the data, the systems, the algorithms could never create a mystical, poetic, emotional and transformational experience.


I moved away from the pile of technology, the Machine's innards strewn like cold spaghetti on the floor of Furtherfield Commons in Finsbury Park, where I have generously been given residence during this pandemic.


I stopped, went for a walk under the London Plane trees, with their crackling tawny and orange leaves underfoot. The sky was autumnal blue, sparklingly clear. The oxygen of the trees mingled with the poisonous emissions of the North London traffic. I wrote about our mutating world, and the story of the Future Machine became clearer. I returned to it.



TRAVELS OF THE MACHINE


Now the Future Machine is fully functional, ready to move from place to place in its journey around England as the seasons change.


In November 2020, the Future Machine was due to appear in Nottingham when one of my collaborators, Caroline Locke, ceremonially planted a new blossom tree in Christ Church Gardens to replace one blown down. We zoomed the event. Frank Abbott, another artist collaborator in Nottingham, witnessed the tree planting on his mobile phone, leaving a message for the future via Zoom.


Highlights of this ceremony are available at https://www.emergingvoices.co.uk/profiles-of-activists


In April 2021, the Machine returned to Nottingham, when the cherry tree blossomed in ChristChurch Gardens on the hottest day in April ever recorded. Sounds of the Machine mingled with the murmurs of seven socially distanced people gathered under the trees. A local school (Mellers Primary) made light boxes with birds which we hung in the tree. At the witching hour, Frank Abbott filmed the magical moment when the sun went down. We lit the light boxes using small hand generators, creating a new ritual to celebrate the coming of Spring. We hope the rituals will evolve as the Future Machine returns each year, hopefully for the next thirty years.


THE QUEST CONTINUES


Now, as the country is tentatively opening up and Spring turns to Summer, I plan to throw myself into exploring the ineffable and the poetic. I want to create ritual and a sense of special occasion with the Future Machine in each of the places it will appear as the seasons change. The music of weather and the Autumn leaves falling in Finsbury Park (London), the cherry blossoms in Spring in Christ Church Gardens (Nottingham), the bells ringing change, renewal and the planting of new trees in Cannington (Somerset), celebrating the harvest along a watershed and the uncanniness of a damaged river (the River Leven, Cumbria) the growth, change and survival of ancient woods and still existing commonland (Rotherfield Peppard, Oxfordshire).


In this time of uncertainty and survival, during this global pandemic, the value of art, poetry and music is being questioned more than ever. Massive cuts to arts education have just been announced. Yet the story I return to tells me that without taking a step away from the science, technology, industry, economics and systems we’ve built to protect us from uncertainty, we cannot reconnect with the essence of the earth that protects us. Only via a connection to nature, poetry, art and music can we see the world anew, to experience the moment between what has passed and what happens next. To take the next step into the future and create new and sustaining narratives.


………………….


Rachel Jacobs is a practicing artist, academic researcher, interactive games designer, writer and arts facilitator. In 1996, she co-founded the award-winning artist collective ActiveIngredient. Rachel is currently an Associate Researcher at the University of Nottingham and Visiting Research Fellow at Central St Martins (University of the Arts London). Her current project, Future Machine, is designed to help communities across England respond to environmental change. She is a frequent contributor to Emerging Voices.




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