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Updated: Aug 9, 2024

In Memoriam. We pay tribute to four young Gazans, all of whom were part of the We Are Not Numbers community.


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Huda Al-Sosi

The WANN Family

October 31, 2023

We Are Not Numbers is sad to announce that we have lost another member of our family. Huda Al-Sosi was killed in an Israeli air strike on Oct. 23 which also took the lives of relatives. The status of her two children is unconfirmed.

May Huda and her deceased family members rest in peace.

Huda was a member of the newest, 18th cohort of We Are Not Numbers. She was an ambitious journalist who was eager to write about the people and conditions of Palestine.

Although she had not yet published at our website, she published two bylined pieces in The Electronic Intifada. Braving Israel’s bombs to hug my parents was written after an Israeli bombing of May 2022 and described her family’s insistance on “resuming our lives” despite the destruction. Gaza’s queen of quilling, published in August 2022, profiled the artist Eman Al-Tayeb, whose “daily practice is impeded by the Israeli occupation and blockade.” Huda reported:

Al-Tayeb considers herself fortunate to be able to pursue art. She believes it allows her to persist in the hardships of daily life in Gaza.

“There is always hope,” she said.

According to Huda’s friends, when she was informed that she had been accepted into WANN, it was the happiest day of her life; she was “over the moon.” She attended all the training sessions before the schedule was interrupted by the Israeli aggression. She loved writing, and she also loved art and reading.

We are adding tributes to Huda as they are able to come in, given the challenging communication circumstances.

Ahmed Dremly

Huda, an aspiring writer, dreamt of being a voice for Palestinians like Ali Abunimah.

Ahmad Abo Rizik

Huda Al-Sosi was a beacon of strength and kindness. I met her during training sessions with We Are Not Numbers. She was full of power and energy and was fueled with passion and the love of Palestine. She longed to reveal to the world the stories and struggles of those living in the shadow of the Israeli occupation, painting a vivid picture of life in this troubled region.

In the short two months that I had the privilege of knowing Huda, I quickly realized that she was a force of nature. Her strength and determination were matched only by her kindness and willingness to help those around her. She had a way of lighting up any room with her infectious energy and her radiant smile.

Huda was not just a teammate, she was a source of inspiration. Her dedication to our common cause was unwavering. Her boundless compassion and selflessness left a lasting impact on everyone fortunate enough to cross her path.

Huda’s words held the power to bridge cultures, to create understanding, and to advocate for her homeland. In a heartbreaking twist of fate, Huda’s dreams were shattered by the relentless violence that plagued Gaza. An Israeli airstrike, intended for reasons unknown, took her and seven members of her family from this world.

The news of her tragic and untimely death struck our hearts with a profound sense of grief. The loss of such a beautiful soul is a stark reminder of the fragility of life, and it’s a pain that we all share.

Huda’s absence leaves a void that cannot be filled, but her memory and the impact she made on all of us will live on. We, her friends on the We Are Not Numbers team, are deeply moved by her spirit and her unfulfilled dreams, and we have vowed to keep her legacy alive. We pledge to continue writing, to carry on her mission of sharing the untold stories of Gaza’s resilient people.

Huda Al-Sosi will not become just another number in the relentless cycle of war; she will forever be remembered as the voice that spoke for her people, an enduring testament to the human spirit in the face of adversity.

Zaina Al Qudwa

From day one of writing training, everyone recognized Huda’s passion and dedication to writing. She never arrived late for any training session and was always the first to engage in any activity. As a mother, she would leave her children at a nearby daycare to be able to attend all sessions. During a class discussion, she mentioned having a story that she believed deserved worldwide publication, but she chose not to disclose its content.

Just a few days after the war began, the members of Cohort 18 of We Are Not Numbers decided to create a video to showcase how life in Gaza is under Israeli aggression. Each participant was required to write and record a short message. Huda wanted the world to understand that “The situation here in Gaza during this war is so difficult and indescribably bad. We prepared our bags with necessary things in case we need them to rush quickly from our homes due to nearby bombardments or Israeli evacuation messages. We didn’t sleep well last night, and I consider myself the luckiest one in the world to have just one hour sleeping this morning. The heavy Israel bombardments is everywhere, attacking residential buildings without any prior warning!”

Unfortunately, no one ever will see and hear Huda sharing her message. Her beautiful dreams came to end when an Israeli missile claimed her life. This is merely a glimpse of her larger story, which was filled with ambitious dreams, a promising future, and a loving family that the occupation ultimately destroyed.




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Refaat Alareer

The WANN Family

December 18, 2023

We Are Not Numbers regretfully announces that we have lost yet another member of our family, Refaat Alareer, who was killed by an Israeli airstrike on December 9. Refaat was killed in Shajaiya north of Gaza where he was staying with his brother, his sister, and her four children, who were all killed in the attack. He is survived by his wife and six children.

May Refaat and his family members and all those who have lost their lives in Gaza under Israel’s relentless attack on the Gaza Strip rest in peace.

Refaat, who was 44 years old, is a renowned poet and professor of comparative literature and creative writing at the Islamic University of Gaza as well as the editor of Gaza Writes Back: Short Stories from Young Writers in Gaza, Palestine (2014), an anthology of 15 young writers in Gaza expressing their experience of living under Israel’s siege and blockade following Israel’s 2008-09 offensive “Operation Cast Lead.” Refaat is also the author of Gaza Unsilenced (2015), a collection of essays, photos, and poetry that documents the pain, loss, and faith of Palestinians under Israeli siege. As one of the co-founders of We Are Not Numbers, Refaat served as a mentor for young writers in Gaza ever since its inception in 2014.

Alareer earned his Bachelor’s degree from the Islamic University of Gaza, his Master’s earned from University College London, and his doctorate from Universiti Putra Malaysia.

Even though Israel repeatedly asked residents of Gaza to move south to “safe zones,” Refaat remained committed to staying in his home in Gaza rather than flee under Israel’s constant bombardment, noting that nowhere in Gaza is safe. Refaat gave frequent updates about the dire situation in Gaza on X (formerly Twitter). His poem If I Must Die, Let It Be A Tale posted on November 1 foreshadowed his own death and evoked hope that the widespread death and destruction in Gaza not be in vain:

If I must die

Let it bring hope

Let it be a tale

The poem has already been translated into many different languages and recorded by prominent artists.

In a post on December 3 on X, Refaat included a recording of the terrifying sounds of the relentless Israeli bombardment, commenting:

“We could die this dawn. I wish I were a freedom fighter so I die fighting back those invading Israeli genocidal maniacs invading my neighborhood and city…Pray for us. Pray for Gaza.”

We Are Not Numbers has published tributes in the form of poems by Basman Dewari and Mohammed Arafat. Additional tributes to Refaat Alareer follow below. We will continue to add tributes as we receive them.

Pam Bailey

Refaat was integral to the launch of We Are Not Numbers. We needed a writing coach in Gaza to work with newly accepted writers, to be sure they were ready for our mentors. I had heard so many complaints about the teachers there, because they often teach strictly from the book. However, the one teacher who I uniformly heard praises about was Refaat Alareer. He was a tough critic, no doubt about it. But it was because he was so committed to his students, and because he was so passionate about both the language and its literature.

And in the process of creating WANN and mentoring our writers, he became my mentor as well. There was a time when I became a target of a vicious online attack just as he recently experienced for being so honest in his views, and he was my counselor and confidante during those tough times. I will miss you, Refaat!! Your memory and legacy will live on.

Mohammed Arafat

He is one of the reasons why I speak, write poetry and advocate for Palestine in English! His work and coaching gave strength to young Palestinian writers and poets, despite the challenges we face.

Omnia Ghassan

In my second year of English literature, I took a short story course with Dr. Refaat.  I hoped the course would be the encouragement I needed to keep going with my writing journey, either in Arabic or English. On multiple occasions, he would misspell my name as Omaima instead of Omnia. Eventually, I just accepted his misspelling.

Years after my graduation, he contacted me to invite me to recite one of my poems at the annual Grand Poetry Festival organized by the English Department at the Islamic University of Gaza. As I waited for my turn to rehearse while sitting on the bleachers, I suddenly heard his voice ring through the speakers, “Omaima, come to the stage!” I rose from my seat, annoyed that he was still mispronouncing my name. When I climbed the stairs to the stage, I looked him in the eye and said loudly, “Omnia! My name is Omnia!” He held my gaze, smiling coyly, and said again, “Hurry up, Omaima!”

Every time I visited my old university and ran into him, he would greet me even from far away with a nod. But a year or two ago, I went to the English festival and saw him. “How are you, Omnia?” he asked. I was confused and sad, actually. I was used to Omaima. It had grown on me. The first time he called me by my name was the last time I saw him… This is a memory I shall hold dearly. Rest in power, Dr. Refaat.

Christa Bruhn

The state of Israel uses the world’s most sophisticated weapons against writers, poets, artists, cartoonists, teachers, and journalists to silence their capacity to bear witness to the reality on the ground in Palestine and uplift their people’s spirits as they face the ongoing dispossession of their homeland. Refaat Alareer is one of many voices of Palestine targeted for using the power of the pen to challenge the subjugation of the Palestinian people. Like others before him—Ghassan Kanafani, Naj Al-Ali, Sherine Abuakleh—Refaat’s dedicated service has not only put the inhumanity of Israel’s assault on Palestine into words, but has mentored other writers to add their voice to that testimony. Like those who came before him, his words live on and continue to tell the story of Palestine, a story the world is more eager than ever to hear. Refaat, your tale is being told, and the world is listening. May there be peace and justice in Palestine so that all people from the River to the Sea may live with dignity.

Younes Alhallaq

Talking about Dr Refaat Alareer is not enough as much as doing what Dr Refaat wanted us to do. He was a wonderful teacher and friend as Dr Refaat was always pushing his students and friends to reveal what the occupation has been trying to hide since its existence on the land, concealing the facts. Dr Refaat taught me to write back for it can be the strongest way to approve your right. This is why Israel hated Dr Refaat’s voice. We loved Dr Refaat and we’ve decided his students owe him to complete his desire to expose this cowardly and barbaric occupation.

Haya Sisalem

I remember the first lecture in We Are Not Numbers with him.  He was standing confidently and then he gave us so many secrets that we didn’t know about writing in English.

His smile is everything about him. Every time I write in English, I remember his way of writing. I will work as hard as possible to continue his path and to tell everyone about him.

Khaled El-Hissy

I am very proud to be one of Dr. Refaat’s students. I was and still am his student.

He taught me.

In classes, he didn’t only teach me poetry, drama and Shakespeare courses, but he also taught me academic writing, creative writing, grammar and translation, although he wasn’t my translation professor.

In his classes he also sometimes taught me history, culture and geography. He taught me how to draw even though my drawing was bad. He made me love Tamim al-Barghouti’s poetry.

And maybe most importantly, he made me love and know how to create memes. I never saw a professor uses memes as a method of teaching. He loved memes. He made us love them, too. Sometimes we were meming him and he would love that.

Dr. Refaat always encouraged us to be creative, to think outside the box.

He would tell us to come to the class without researching about the next poem. We would read the poem and discover it in the class. He knew it was difficult for him to do so and he would be mad at us sometimes as it was not easy for us to understand the whole poem without any previous researching.

But he never gave up shaping our creativity.

And to those who were creative? He would reward them with a bonus mark. Only Dr. Refaat’s students know how hard it was to get a bonus mark from him.

I would never forget his facial expressions when he gave me one.

Dr. Refaat was introducing Shakespeare’s Sonnet 18, Shall I compare thee to a summer’s day? And before this sonnet we read a sonnet for Sir Thomas Wyatt, Whoso list to hunt.

He showed us how Wyatt used the meter, the iambic pentameter, to emphasize himself, by stressing the pronoun “I.”

So I applied the same thing to Sonnet 18. Shakespeare unstressed the “thee,” meaning  meaning “you” in Modern English, at the intro of the poem, indicating that his addressee is weak.

Shall I compare thee to a summer’s day? 

But at the end, he tells the addressee that he will be immortal because Shakespeare mentioned him in his poetry. In this case the “thee” is stressed:

So long lives this, and this gives life to thee.

And Dr. Refaat was like, “Wow, wow. Excellent. One bonus mark for you. One bonus mark.”

I wasn’t happy because of the extra mark, I was happy because I could make him feel happy, a thing students told me was impossible. This incident, making Dr. Refaat proud and happy, encouraged me and my friends to always come prepared to the class and try to think creatively and out of the box as he wanted.

I really miss him. But I don’t believe he is dead. Maybe Israel killed Dr. Refaat. But his inspiration is still within me and within all of his students.

I mean, Dr Refaat still teaches me a lot of things:

He is teaching me how to always be brave even if I’m afraid of something.

He is teaching me that words are very powerful and immortal. Dr. Refaat’s voice reached and encouraged millions of people although he was in Gaza.

He is teaching me how to be kind, generous, and offering help to others even in these times I need help. To be a giver always more than a taker.

If Israel killed Refaat, it had created millions of Refaats. Each one of his friends is a Refaat. Each one of his students is a Refaat. We honor him by continuing this mission.











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Mohammed Zaher Hamo

The WANN Family

November 28, 2023

We Are Not Numbers regretfully announces that we have lost another member of our family. An Israeli airstrike killed Mohammed Zaher Hamo and his father and brothers shortly before the ceasefire which began Nov. 25.

May Mohammed and his deceased family members rest in peace.

Mohammed joined We Are Not Numbers in 2023. He was an English literature and translation student at the Islamic University of Gaza. He was passionate about football and particularly the LaLiga sports association. He was known for his amazing smile and comic genius that could always get everyone laughing out of control.

He will also be remembered for his kindness. “I want to help the oppressed people worldwide who are enduring several kinds of injustice in different parts of the world,” Mohammed said in his biographical statement. “I aspire to shed light on their suffering, raise global attention, and seek support for their cause. I am driven by a strong desire to make a difference and work towards creating an equitable world for all.”

His ambition was to pursue a master’s degree in journalism. A story he published at We Are Not Numbers, “When drama joy becomes a fight for survival,” described how and his family were gathered together to watch a recording of a dramatic comedy he wrote and performed in, when they were interrupted by an Israeli airstrike nearby. That occurred in May 2023. The story was co-published with Palestine Deep Dive. Mohammed’s byline also appeared on the article, Gaza photographer captured and tortured by Israel, published by Electronic Intifada.

We are adding tributes to Mohammed as they are able to come in, given the challenging communication circumstances.

Enas Fares Ghannam

Mohammed! One of the main reasons for why Mohammad was accepted in We Are Not Numbers was his smile and how optimistic he was. May he and his family rest in peace. (Statement originally published on Instagram)

Roaa Missmeh

One of my best friends in WANN has been killed. Mohammed Zaher Hammo. He always had a smile on his face. Always willing to help me with ideas and publishing. He always used to say that in a parallel world, he and I are twins. He was like a leader to us. I can’t stop thinking about him. The truce came, and all the bad news came. He was killed before publishing a book, before going to London, as he always wanted, and before all his dreams came true. I hope he is in a better place. 

Khaled El-Hissy

I was taking these pictures and telling you, “These are for the memory.” We would be happy. All that we thought about at the time was that these pictures would be beautiful memories when we look at them one day. But it never crossed my mind that your pictures, dear Mohammed, would make me cry. If I ever knew that you would be martyred and leave us, I would never have taken so many pictures and videos for you. Where are you, Mohammed, so we can look at our pictures together as we always did?

We used to spend so much time at the university library to study. I would show you our pictures, and you would always laugh your roaring laughter. They’ve stolen you from us. They’ve stolen your laughter. They’ve stolen our university. These videos and pictures will be immortalized forever. And your impact, my dear Mohammed, will remain within us until the last breath.

Laura Albast

I knew Mohammed briefly. I was matched to mentor him mere days before the war. He became my friend. He joked with me, sent me clips of his grandfather’s garden, of him and his baby cousin eating bread and drawing, of his now-destroyed university where he told me he spent most days writing. He was so excited to begin his story, which would have been published for WANN. Mohammed sent me screenshots of a Word document on his laptop, where he had written about Filfil and the wars he’s experienced growing up. I don’t know who Filfil was — a toy, a pet? Nor do I know what horror Mohammed experienced when he was nine years old, 10 years ago. I was waiting for him to tell me, to write his story. But now, all I’ll have is glimpses of his life, and broken messages of his last days in Gaza.

Irene Doukas Behrman

So many things about Mohammed will be impossible to forget, starting with his contagious smile. He radiated kindness, generosity, wit, and wisdom, and was hysterically funny. I worked with him on his story for WANN and then on another piece for a different publication, which he asked that I look over as it was also in English. Following our first video chat, he admitted he’d been a bit nervous as it was his first time ever speaking to a native English speaker. I was so surprised, as his English skills were quite good. He continued to surprise me throughout our friendship—more and more every time we spoke, actually—with his distinctive blend of humour and bravery.

He told me in October that he and his family had decided to stay put despite the very real risk of death, because, in his words, “If we die, we will die in our home on our land, so it can stand as a witness on the Israeli crimes against the civilians and unarmed people of Gaza.” He said he did not want to sleep on the streets in Gaza’s south. Later that month, he gently pressed me on the photos I sent of a march in Boston: “This is a great job! But we need more! I mean we need such [a] protest in front of the White House and such governmental buildings.” He was right, and he was one of the reasons why I booked a bus ticket to travel from Boston to Washington, D.C. in November to protest at the White House.

Mohammed’s Internet connection was in and out, but as recently as the 14th, he asked if he could share a song he was listening to with me. Of course I said yes. He then quipped that once I heard the song, I would block him on WhatsApp. Ever the joker, the “song” Mohammed sent was a short recording he’d made of the hideous sound of Israeli drones up above. He even teased me about my messy computer desktop, which we laughed about together.

After his family lost their home in an airstrike, Mohammed was also brave enough to request that I do some fundraising for them, which he confessed was an extremely difficult ask because it made him feel like “a beggar.” I sent him screenshots of donations flooding in from many of my friends in the United States, and told him that they were his friends too. I wanted him to know he was cared for, and I do believe he felt our care. One of the last things he wrote to me—after he had lost his home, his university, his room, his bed, his computer, and many family members under rubble—was, “I consider myself the luckiest person in this life to have such friends.”

Mohammed was always thanking me for speaking up about Palestine. As unbelievable as it sounds, I believe that he felt indebted to me—a ridiculous notion that I tried to talk him out of numerous times. One of my greatest regrets is failing to convince him that he owed the world nothing, and that we owed him everything. To borrow his words, I consider myself the luckiest person in this life to have had a friend like Mohammed. Rest in peace, my powerful friend. I am forever indebted to you.













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Yousef Maher Dawas

The WANN Family

October 16, 2023

On Oct. 14, 2023, the WANN family lost Yousef Maher Dawas. He was killed by an Israeli missile strike on his family’s home in the northern town of Beit Lahia. Several other members of his family were also killed.

May Yousef and his family rest in peace.

Yousef was studying to be a psychoanalyst. In January 2023, Yousef published an essay at the WANN website, Who will pay for the 20 years we lost? In this essay, he recounts the destruction of his family’s orchard by an Israeli missile strike in May 2022. The orchard trees produced olives, oranges, clementines, loquat, guavas, lemons and pomegranates, and its loss “destroyed an important piece of our past. Our family’s history. Our heritage.”

Yousef took some solace in the hope of replanting. WANNers take some solace in the knowledge that Youself is planted in our hearts forever.

Youself was a contributing writer for Palestine Chronicle, which also published a tribute to him. This article includes a video in which the young man talks about his desire to visit other cities in Palestine “more than Paris or the Maldives Islands.” Yousef’s last article for Palestine Chronicle is Kidney Transplant and Rebirth: A Palestinian Love Story.

Yousef’s colleagues have contributed the following tributes.

Ahmed Dremly

I want to talk about Yousef, I want hours to talk about him—even hours would not be enough. Yousef was one of the most helpful guys, not only with We Are Not Numbers, but generally. All the people who met him loved him! Because he was funny, he was a joyful guy.

He used to talk about positive things—about his dreams of traveling, his love of nature. He was always arranging for us to hang out together. He loved to be with people, with journalists. He was a contribute to WANN, Palestine Deep Dive, and Palestine Chronicle. Before the war he was the volunteer cameraman of WANN. He loved photography and he used to take good photos for us on the team.

On the first days of the attacks on Gaza, he sent me messages asking if I could join him to go to document all of the massacres that happened in Gaza. But I told him I wouldn’t go, because they attack journalists. So if I want to be honest, Yousef was one of the most sensitive, helpful and interesting guys I’ve ever met in my life.

Tala Albanna

My beloved Yousef, Joe as he used to be named, or my therapist as I [was] accustomed to call him. My way to the university was full of our talks about his cats and his favorite author, Ahlam Mosteghanemi.

He was a great supporter to me besides a study partner during all the exams period.

Rahaf Abu Zarifa

I’ve known Yousef for two years now, from WANN and a lot of other subactivities.

A great guy with a lot of dreams. He always supported my skills in photography, in writing, which he was passionate about too.

We were working together on a photography project the last time I saw him. Wednesday, 20th of September. This is the second day of him not being a part of this earth. May he rest in peace.

Hamza Ibrahim

My friendship with Yousef warmed my heart in a way that was like the sun’s final kiss to the sea. He resembled the stars in the sky, embellishing my darkness. He left me without saying goodbye. Later, in heaven, I will see you.

I’ve known Yousef for the past two years, and his memory will forever be etched in my heart. A radiant smile was his constant companion, a reflection of his kind, understanding, and loving nature. Yousef was not just a friend; he was a beacon of light, a selfless soul who poured his heart into caring for his friends and community.

Mahmoud Yazgy

He was not only kind but remarkably [full of] initiative, always the first to lend a hand, the first to champion a cause, and the first to sacrifice for the well-being of his community. Yousef’s dedication was unwavering, and his commitment to his people was an inspiration to us all.

The Israeli air strike buried his smile under the rubbles of his house. Recollections of our long walks together after our “We Are Not Numbers” classes flood my thoughts, my heart racing and hands trembling with sorrow. We shared stories, dreams, and aspirations on those walks.

I remember one day when we were out with our group of friends, and I arrived a little late. Spotting an empty chair beside Yousef, I immediately relocated, and when asked why, I simply replied, “Because he’s Yousef.” He was this friend who would understand the hints without saying anything. Today, Yousef may be a martyr, but his legacy lives on in our hearts.

Dear Yousef, you may not be present with us today, but I believe you’ve found peace in a better place. Your spirit continues to inspire us, and your memory will forever serve as a guiding light, a reminder of the profound impact one person can have on the world.

Kate Casa (mentor)

It was such an honor to work with Yousef. He was motivated and open-minded. Like all of the young WANN writers I have worked with, he was anxious to tell his stories so that we in the West could better understand their lives in Gaza. These efforts to make their stories fit our westernized versions of how a narrative should read can sometimes feel like ongoing colonization. It’s difficult for me to imagine writing in a different language, with a different set of rules and structures, especially when it is about something so personal as life under occupation. But Yousef willingly and enthusiastically took this on.

Nick Appleyard (mentor)

He was such a bright and positive young man! It was a pleasure to work with him on his essay – I won’t ever forget that great big smile.



 
 
 

London’s P21 Gallery is a platform for Arab Arts and Culture. Betty Townley reports on their recent exhibition featuring over three hundred works by Gazan creatives.


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Source: P21 Gallery Facebook

PART I


I don't know what to write anymore” writer and activist Larry Kramer told an AIDS forum in 1991, “... because I have said what I have said tonight, in one form or another, for ten fucking years.” I think about this quote often, what it means to feel your words are failing, to wake up everyday to more death and suffering, powerless to halt the devastation.


At the closing night of the exhibition ‘Stories for Gaza: We Are Not Numbers’, Dr. Rafeef Ziadah – a Palestinian poet, scholar, and activist - uttered the same refrain. She asked the crowd to put their phones down and to be present in the room. ‘I’m so sick of saying these poems’ she began. ‘I wrote them years ago and every year they just become more and more relevant’. When she recited her work, ‘it was so powerful’, exhibition co-curator Taya Amit remembers ‘she left us in silence and in tears.’ 


But at what point does an emotional reaction become one with the capacity to make change?  

I sat down with Taya Amit and Almuhannad Allahham - curators of the May exhibition which brought stories from emerging Gazan writers to the P21 Gallery in London - to talk about resilience, the power of resistance poetry, and turning empathy into action.


We Are Not Numbers (WANN) was founded 10 years ago by Pam Bailey and Ahmed 

Alnaouq.  Bailey, an American journalist, was endeavouring to publish Alnaouq’s essay in the Western media. The work was in memory of his younger brother Ayman, killed at twenty-three by an Israeli airstrike. WANN, which pairs professional English writers with Gazan poets and storytellers, has now published over 1300 stories. 


The exhibition, which displayed works by 350 contributors, was the first curatorial venture for Taya, an international development graduate whose focus is Israel’s history, and Almuhannad, a doctoral researcher at the University of Ghent. 


When I ask how and why they became involved with We Are Not Numbers, Almuhannad centres on resilience. What do I mean by resilient?” he elaborates. “They [the Palestinian people] have witnessed many critical events - like the first Nakba in 1948, the occupation of Gaza and the West Bank after the 1967 war, the war against refugee camps in Lebanon, the first and second intifada. And finally, the Gaza siege. All these events have brought nothing, but we still have many people who are resilient.”


This resilience also helped Taya cope with doubts about the exhibition after October 7th. She recalls a moment of hesitation, half way through their exhibition planning. 


“I thought WANN would go into survival mode. I thought it might be ridiculous to do an exhibition in London with a war happening.”
“But [WANN’s] ethos stood stronger than ever. They remained determined to control their narrative, and not rely on a mainstream media that continuously fails them”.  

Unsurprisingly, the two are deeply committed to the power of words as activism (or ‘artivism’ as they prefer) in the face of the powerful and destructive.

Almuhannad explains, “I can help in building the resilience of Gazans to give them the power to resist as much as possible. How can I do this? By knowing them; not just discovering them through the headlines or what we see in the news, but creating a connection.” 

………….


PART 2


The notion of ‘knowing’ those suffering in Gaza is a complicated one. Visual images and testimonies of incomprehensible horror, dead children, torture, decomposed bodies, have so far failed to produce a uniform galvanising reaction. Routinely viewing images of horror can make us indifferent to what we’re seeing.


How vivid must terrible acts be presented for us to ‘see’? What do we have to take in, as a Western society, before things change? Social media gives us direct access to the abominations of war and occupation, but paralyses us at the same time. There is a layer of glass between viewer and subject. The barrier is unambiguous, impermeable. We have our places on either side, and we are limited to our respective roles of viewer and sufferer.


I, too, feel trapped and uneasy behind that glass screen. We share images and words and we write, protest, speak, boycott, donate. These are all actions that quell a feeling of powerlessness for a while, but not much more. The most shared Instagram image of the current situation in Rafah was AI-generated – as inhuman as something can be. Is widespread willingness to share something so empty an indicator of our shame? It is after all on our side of the glass that the weapons are being made.


I asked Taya and Almuhanad what they thought of the role of images in spreading awareness of the situation in Gaza. 


I would see words and videos and images all as complementary roles. We cannot depend only on words. We need them all” says Almuhannad.

Everyone knows how fucked up it is’ says Taya. ‘It’s more about feeling it rather than educating’. 

Talking to Taya and Almuhannad about the value of exhibiting writing, I begin to understand that a moment where readers connect with the humanity of the writer can be a protest. The dehumanisation of both sides – but mostly the Palestinian people – has been the most horrific weapon in this war” explains Taya. ‘We decided that we were going to exhibit all the stories that had been written across a ten-year period. We didn’t want it to be an exhibition about the current war exclusively’. 


Aiming to reflect the vast changes needed to end the occupation in Palestine, they chose to display a huge volume of work. Readers would have to physically zoom in and out, breaking through the one-way, impersonal dynamic of viewing images online. They exhibited reams of writing, presenting a holistic view on Gaza and broader Palestine.


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Source: P21 Gallery Facebook

One wall of the exhibition displayed every story written by WANN’s creators – thousands, and too many to read. The effect of featuring such a mass of work was ‘claustrophobic’ says Taya, and intended to be so. ‘It was immersive; we covered a whole wall. It wasn’t for people to read, it was about impact.’ Elsewhere, selected quotes were displayed alongside the refrain ‘I am one amongst many’. 


For We Are Not Numbers, working with English-speaking mentors is essential in crossing global barriers. The Arabic language has a long tradition of resistance poetry, which WANN’s writers continue. Did it feel like something was missing, for these Palestinian stories to be written in English? 


In response, Taya recalls the words of artist Malak Mattar, addressing attendees on the event’s closing night: 

“She said ‘you are all complicit. I say this not to aggravate you, I say it because you are all important.’” 

“The problem is not only in the Middle East” Almuhannad expands, “it’s that people in the West are not listening. “Unfortunately, what is happening is because we are not able to deliver our message to the Western audience. We have people who can communicate with the Arabic people, with the 22 countries, but we don't have enough resources or instruments to communicate our stories to the people here in Europe. “


To move towards a free Palestine, the curators agree, will require vast, holistic change. The exhibition aimed to both reflect this and help bring it about. Taya recalls the closing night, featuring speeches and presentations by key figures. 


“In this intimate space, you realise the power of words. Over an hour you have different people speaking and everyone moves through this emotional roller coaster. You're gripping onto their words. When it's something tragic you're heartbroken and then the slightest glimmer of a sentence that is hopeful lifts you up and you feel ‘okay, I can handle this’. For me it was a literal experience of what the power of words does when you really pay attention. The whole exhibition was to feel and to transform feeling into action.” 


Only a space where pessimism, hope, tragedy, heartbreak co-exist – a space alien to images, only created by the words of storytelling – is capacious enough to hold everything at once.


“The loudest thing [the exhibition] could do is ignite a fire of feeling, Almuhannad concludes, “then someone chooses how they transform it.”


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Source: P21 Gallery Facebook

All profits from the exhibition, and any donations made by exhibit visitors, went directly to paying Gaza’s We Are Not Numbers contributors. You can find out more about the organisation, exhibition, and how to support WANN here.




Betty Townley is a freelance writer from South London, focusing on culture and the arts.

 
 
 

Updated: Aug 2, 2024

From We Are Not Numbers

Gaza Strip

January 14, 2024


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Eman Dewari along with her husband Tayseer Abu Holy and her four children (from left to right) Mohab, Aser, Mohaymen, and Eliaa. The children were all under the age of 16. Photo provided by Basman Dewari.



They have thrown my heart into the fire. 

Now, they add another gallon

of gasoline. 

They killed Eman, my young sister. 

Leaving my mother’s heart 

suspended between earth and sky.

The good news is 

that she is no longer on earth. 

She no longer belongs 

to a world that buried her 

under the rubble of her house. 

Her killer did not allow 

any attempt to rescue her.


They let her spend the night 

cold, alone, tasting her own blood, 

away from her child 

she was trying to reach 

when her home fell 

all over her head.


The good news is 

she will meet my dad. 

I am sure she missed him a lot. 

She will live in a space 

where sounds can’t hurt anymore. 

She will spend time again 

with her family without seeing the shadow 

of their death reflected on the curtains 

in a dark room illuminated 

by the flashing of missiles.


The bad news is she will miss her mother and siblings. 

Maybe she will miss one amputated dream.


Yet the good news is 

she is not going to miss 

any of her children. 

They killed them all together.


 


Editor’s note: Eman Derawi was killed with her family by Israel on Jan. 4, 2024. Basman Derawi has also commemorated in poems his good friends Essa Essa, killed on Nov. 22, 2023, and Oudah Al Haw, killed on Jan. 3, 2024.


Mentor Kevin Hadduck,

Helena, Montana, USA

 
 
 
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